A second suspended winged figure — related to Work 1645 but more severely damaged, the paper torn across the upper left corner, additional tearing at the lower left and right edges, and the surface showing cracking and paint loss across the image. The composition is similar to 1645: a pink-and-red winged figure hangs from a cord or thread at the upper center, the wings spread, the body small beneath. A brown vertical column at the right — possibly a post or wall — provides a vertical axis. Yellow radiating marks at the lower center suggest a light source. Red drips at the lower left are visible against the pink ground.
The damage significantly affects this work — the torn corners and surface cracking give the image a quality of fragility and age that reinforces the suspended figure's emotional content. The figure is pinned and damaged; the paper around it is also pinned and damaged. The physical condition has become part of the work's meaning.
Despite the damage, the composition's essential quality remains: the winged figure suspended, neither flying nor fallen, in a space between states. Conservation assessment is recommended for this work. It should be documented and considered for stabilization.