A pencil figure drawing with the model seated with one leg extended — the foot at the lower edge of the composition specifically described, the upper body seen in three-quarter profile. The bun at the crown is described with the coil marks of the spiral vocabulary — a compact, specifically wound form.
The face in three-quarter view at the upper portion is described with confident pencil marks: the profile edge of the nose, the eye, the lips. The expression is inward.
The body from the face down is described with clean contour. The extended leg creates the composition's horizontal element — the foot at the lower left anchoring the composition while the head rises at the upper right.
This drawing is among the last in the extended sequence of seated figure studies, and it carries the quality of accumulated practice: the marks are made with the confidence of someone who has drawn this pose, this figure, this studio many times.