A large pencil figure drawing — the model seated on a model stand, seen in right-facing profile, the complete figure from crown to foot visible and the stand described with geometric clarity. This is a complete, fully resolved figure-with-stand drawing: the stand's rectangular form as the geometric foundation, the organic figure sitting on it.
The profile face at the upper right is described with the characteristic pencil attention: the brow, the nose, the lips, the chin — the profile line clean and specific. The hair falls loosely around the face.
The body below the face descends in the classic seated profile S-curve: the chest forward, the waist drawing in, the hip rounding. The arm at the figure's side is barely described — just enough marks to indicate its presence.
The stand is the composition's most geometrically precise element: its rectangular seat, the legs descending to the floor, the horizontal of its seat creating a strong compositional divide between the figure above and the space below.
The foot at the lower composition — hanging or resting — is described with the characteristic toe attention, the first and last elements of the figure's vertical extent both receiving specific care.