A large horizontal pencil drawing approaching pure formalism — a reclining or compressed back-view figure in which the marks are so light and so few that the body exists at the threshold of visibility. The forms are there: the rounded shoulder at the upper right, the back descending, the hip at the lower right. But they are barely more than the paper's own surface.
This is the lightest pencil touch in the figure drawing series — lighter even than the "Barely There" drawing (1185). The marks seem to be the beginning of a drawing that was not continued, or the residue of a drawing that was partially erased, or simply the most minimal possible statement Sidney could make about a body seen from behind.
At the upper left, the ghost of a second figure or a preparatory mark is visible. At the lower left, the hair — slightly heavier marks than the rest — is the most described element, its relative darkness making it the anchor of the composition.
The vast white paper surrounding these minimal marks gives the composition an openness that is either unfinished or is the work's statement: this much is enough.