A large pencil figure drawing — the model reclining on a chair, the body not seated but lounging, the torso tilted back and the legs extended. The chair here is the most specifically described in any figure drawing: the back, the seat, the armrests, the legs — all drawn with geometric clarity, the chair's structure fully legible. The body reclines into and across this geometry, the organic form draped over the angular structure.
The arm at the right rests on the chair's armrest, the hand loosely hanging. The arm at the left extends along the chair's other side. The upper body tilts back, the face barely visible — just the profile at the upper left, the chin raised slightly in the reclining posture.
The body's diagonal — from the barely-seen face at the upper left through the torso to the legs extending to the lower right — creates a long composition that the chair's geometry interrupts and supports simultaneously.
The legs extending to the lower right are the most lightly described zone: the contour barely more than a suggestion, the feet at the composition's right edge indicated but not elaborated.