A large pencil figure drawing of a seated/crouching figure — the body in a low position, the knees drawn up, the feet extending toward the viewer in the lower composition. The composition is dominated by the large forms of the lower body: the rounded knees at the center, the feet at the lower edge, the upper body small and receding above.
This inverted pyramid composition — large at the bottom, small at the top — creates an unusual spatial reading: the feet are closest to the viewer, the head most distant. The figure in space is accurately conveyed through this scale relationship.
The feet at the lower composition are the most specifically described elements: both feet visible, the toes individually present, the weight-bearing posture of the crouching position apparent in the feet's spread.
The head at the upper composition is barely described — the rounded form of the skull, a partial profile indication. The face is not the subject here; the body's spatial relationship to the viewer is.