A large horizontal blue pencil figure drawing of an acutely compressed reclining figure — the body curled and folded, seen from behind, the back curve and the rounded hip dominating the composition. The figure occupies the upper-center of the paper, the lower portion empty.
The back curve is the composition's primary form: from the shoulder at the upper left, the spine curves sharply down to the waist, then the hip rises as a large rounded mass at the right. This curve — from shoulder through waist to hip — is described with the most confidently single blue pencil line in any blue pencil drawing: one continuous arc finding the body's exact curvature.
At the upper left, the head is barely indicated — the round skull form and the beginning of the neck, all in the most minimal marks. At the lower right, the feet are described with the characteristic toe-by-toe attention — both feet visible, the compressed position of the legs apparent.
The body between head and feet is described in confident outer contour only — the interior empty, the form defined by its edge. This is contour drawing at its most committed in the blue pencil series.