A pencil figure drawing with a fully described chair — the most specifically rendered chair in any figure drawing. The model sits on what appears to be a folding or studio chair, the chair's legs, seat, and bracing all described with geometric precision. The figure sits with the head bent forward and to the left, the arm raised and the hand grasping or resting near the head.
The chair dominates the composition's lower half: the angular geometry of the chair legs and seat creating a framework that the organic figure sits within. The contrast between the geometric chair and the organic body is the composition's formal argument.
The figure from the shoulders up is the most described zone: the upper back, the arm's extension, the hand, and the barely visible face (turned away, barely present). The lower body — on the chair — is less fully described, the figure transitioning into the chair's geometry.
The long hair falls to the right of the figure, described in long parallel strokes that connect to the studio setting by falling between the chair's geometry and the figure's organic form.