A pencil portrait with the most energetically drawn hair in the collection — the curly hair blown or tossed upward and to the right, each curl individually described in rapid loops, the overall mass dynamic and windswept. The face below this airborne hair looks out in three-quarter view with a quality of alert engagement.
The curly windblown hair is drawn with the same mark vocabulary as the spiral bun drawings — each curl a small loop — but here the loops are larger, more energetic, and oriented toward movement rather than stillness. The hair is not contained; it is released.
The face below is described with tonal pencil work: shadow at the brow and eye socket, the cheek modeled, the lips briefly indicated. The eyes look outward with the quality of someone who knows they are being looked at and is comfortable with it.
At the collar and body below, a sleeveless top or dress is described with specific straps and neckline. The clothing's informality matches the windblown hair — this is someone in casual movement, caught rather than posed.
This portrait may be related to the earlier Windblown pencil portrait (642) — similar technique, similar hair treatment. Worth checking if same subject.