A large blue pencil back-view figure drawing — the seated figure seen from slightly behind and to the right, the bun at the crown described with loose curling marks rather than the tight concentric rings of the spiral bun drawings. This bun is the more casual cousin of 1135 and 1154: the same location, the same general form, but drawn with the looser, more searching marks of a faster observation.
The back below the bun is described with the standard back-view economy: the outer contour defining the shoulder-to-hip sweep, the spine barely indicated, the arms folded and resting at the sides. The arm at the left — bent at the elbow, the forearm resting — is described with specific hand marks: the fingers, the wrist, the relaxed posture of a resting hand.
The blue pencil marks on the warm cream-yellow paper give the drawing its characteristic warm quality. The figure is in three-quarter back view — the face partially visible at the right profile, barely described but present.
This is a quieter version of the spiral bun close-up: the same form observed with less intensity, the back view complete but the bun read as a compositional element rather than as the subject itself.