A major abstract work in mixed media — signed "Cothran" at the upper right — consisting entirely of colored stripes applied in two orientations: vertical stripes in the upper portion and a separate section, horizontal stripes in the lower-left portion. The two stripe orientations meet along a diagonal axis that cuts through the composition, creating a formal tension between the vertical and horizontal readings.
The color range is the fullest in any single work in the collection: yellow-green, blue-violet, orange, red, pink, black, gray, olive, purple, teal — every chromatic zone represented simultaneously. The stripes are applied with consistent width and consistent pressure, each stripe its own color, the overall composition a catalogue of chromatic possibility.
At the intersection of the two stripe orientations, a narrow vertical band — teal — cuts through both sections, unifying the composition across the directional division. This teal bar is the compositional argument: the single element that belongs to both halves.
This work connects to the Constructivist vocabulary of the Yellow Abstract print (897) — the two-zone composition, the geometric stripes — but where that work was primarily yellow, this one exhausts the spectrum. It is Sidney's most comprehensive color statement: not a landscape, not a spiral, not a figure — just color, organized, speaking for itself.