A second male green chalk figure drawing — the same model (or same session), now seen from behind with both arms raised and reaching upward. The back view reveals the male body's specific musculature: the shoulder blades pulling apart as the arms rise, the spine's ridge descending from the neck, the narrowed waist, the hip.
The raised arms create the composition's most dynamic element: both arms extending upward and to the sides, the hands barely indicated at the upper edges of the composition. This is a body reaching — the same gesture found in several female figure drawings (1021, 1110) but in the male form it reads differently: more tensed, the musculature of the arms and shoulders more explicitly described.
The green chalk contour traces the body's outer form with a single confident line from foot to fingertip. The interior is nearly empty — the form defined by its edge, the mass implied.
The feet at the lower composition are described with the characteristic toe attention, both feet visible, the weight evenly distributed for the extended reach above.